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Formats and Editions
1. 6 Sonaten für Kenner und Liebhaber, Wq. 55: Keyboard Sonata No. 3 in B Minor: III. Cantabile
2. Premier livre de pièces de clavecin, Troisième suite: I. Le coucou
3. Keyboard Sonata in F Minor, Kk. 466
4. Keyboard Sonata in F Major, Kk. 378
5. Keyboard Sonata in D Minor, Kk. 1
6. Keyboard Sonata in C Major, Kk. 159
7. Fantasia in D Minor, K. 397
8. Keyboard Sonata in C Major, Hob. XVI:35: I. Allegro con brio
9. Keyboard Sonata in C Major, Hob. XVI:35: II. Adagio
10. Keyboard Sonata in C Major, Hob. XVI:35: III. Finale. Allegro
11. 24 Préludes, Op. 28: No. 20 in C Minor
12. Solfeggietto in C Minor, Wq. 117/2
13. The Well-Tempered Clavier, Book I: Prelude and Fugue No. 2 in C Minor, BWV 847: I. Prelude
14. The Well-Tempered Clavier, Book I: Prelude and Fugue No. 2 in C Minor, BWV 847: II. Fugue
15. 24 Preludes, Op. 28: No. 15 in D-Flat Major "Raindrop"
16. Art of Piano, Op. 66: III. Winter Morning in Istanbul
17. 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto
18. The Seasons, Op. 37a: No. 6, June. Barcarolle
19. Suite Española No. 1, Op. 47: V. Asturias "Leyenda"
20. 12 Danzas españolas: No. 5, Andaluza
21. 6 Gnossiennes: No. 1, Lent
22. Gnossienne No. 7
23. Suite bergamasque, CD 82, L. 75: III. Clair de lune
24. Nocturne No. 21 in C Minor, Op. Posth.
25. Nocturne No. 20 in C-Sharp Minor, Op. Posth.
26. 12 Lieder von Schubert, S. 558: No. 9, Ständchen (After Schubert's D. 889)
27. 3 Intermezzi, Op. 117: No. 1 in E-Flat Major
28. Isoldens Liebestod, S. 447 (After Richard Wagner)
29. Sonatine, M. 40: I. Modéré
30. Sonatine, M. 40: II. Mouvement de menuet
31. Sonatine, M. 40: III. Animé
32. On an Overgrown Path, Book 1: No. 7, Good Night!
33. 24 Preludes, Op. 28: No. 4 in E Minor
34. 24 Preludes, Op. 28: No. 6 in B Minor
35. Berceuse in D-Flat Major, Op. 57
36. Kinderszenen, Op. 15: No. 7, Träumerei
More Info:
"In 2019, I began to think about making concept albums. Of all the ideas I developed, one of the most potent was that of collating works that we would like to listen to in the morning and evening. This was the sentiment behind the creation of the albums Morning and Evening. Consequently, for both albums I sought out music that I found to be reminiscent of either morning or evening, choosing pieces that embodied the unique joy and melancholy of these times of day. Working on the principle that simplicity was suited to morning music, I leaned heavily towards baroque and early classical pieces for the Morning album. The Evening album features classics from the Romantic and late Romantic period. Playing these pieces, I sensed the unique rhythm of morning and evening hidden in their natural flow. I hope you will enjoy listening to them." Fazil SayEmail Signup
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